邢唷��>� XZ��W��欹�€ ��<�bjbjcTcT 4@>>I!"��88{ { { { { �� 8� ,� $� Q5b!-!-!-!-!L"L"L"�4�4�4�4�4�4�4$�7�U:v�4-{ k$L"L"k$k$�4{ { -!-!5c&c&c&k$�{ -!{ -!�4c&k$�4c&c&��2h�3-!��J4茑y�� 5%*3�4!50Q5:3��:5%��: �3�36�:{ 44pL"h�"Jc&�"<�:#1L"L"L"�4�4�%jL"L"L"Q5k$k$k$k$��:L"L"L"L"L"L"L"L"L"8 A: Lesson Plan Format Lesson Plan Name: Reader抯 Theatre Your Name and School: Kim Morton, Temple heights Goal(s) for your lesson plan: Students will be excited and enthusiastic about reading. Students will practice reading their play using intonation and expression. Students will develop fluency in their reading to help them understand what they read. *Note: Although students develop a quick rubric for evaluation purposes during this lesson, this lesson is not intended to do an elaborate job of teaching about artistic perception. California State Standards addressed in lesson plan 3rd Grade Language Arts Standards LS-1.9 Read prose and poetry aloud with fluency, rhythm, and pace, using appropriate intonation and vocal patterns to emphasize important passages of the text being read. 3rd Grade Visual and Performing Arts Standards Theatre 4.1 Develop and apply appropriate criteria or rubrics for evaluating a theatrical experience. 3rd Grade Visual and Performing Arts Standards Theatre 5.1 Use problem-solving and cooperative skills to dramatize a story or a current event from another content area, with emphasis on the five Ws. Duration: One hour (15 minutes of warm-up, 15 minutes of expectation setting and modeling, 15 minutes of rehearsal, and 15 minutes of presentation with feedback) Materials/preparation needed: Stage area for performance at the front of the room Open area in the room where students can form a circle for the theatre warm-up One copy per student of the Reader抯 Theatre script Body of Lesson Plan: Introduction/Activation of Prior Knowledge During reading practice, students practice fluency. They conduct fluency drills and do repeated reading to increase fluency. Students are accustomed to timing themselves for a 揷old read� and then time themselves again after practice. A big part of fluency is using a good voice. This includes intonation, pronunciation, and expression. Tell students that today they will be doing an activity today which will help them increase fluency and expression � something they have been working on since Kindergarten. Teaching the Lesson: Clear the desks to the outside edges of the room so there is an open stage area in the middle of the room. 2. Have students form a circle and play the game 揨ip�. The purpose of this game is to loosen the students up, especially those who are shy and uncomfortable participating in vocal activities. It is great for second language learners and helps them speak up in a non-threatening environment. (Zip 15 minutes: This is a focusing and team-building activity. Organize the group into a circle. If the group is unfamiliar with each other, go around once and have each person say his or her name. Establish a beat by slapping one hand against your thigh. Have the group join in the rhythm. Group members place their other free hand up by their shoulders, with the index finger and thumb extended as if it were a gun. One person starts zip by pointing to an individual across the circle and saying his or her own name. Without missing a beat, the person who is pointed to points to another person and says his or her own name. Gradually pick up the pace of the rhythm. A person is out if he or she falters on a beat, or neglects to say his or her own name properly. The group's instinct will be to say the name of the person pointed to, but the point is to maintain focus enough to escape that mechanized response and say one's own name without missing a beat. SOURCE: HYPERLINK "http://members.tripod.com/~yep_team/warmup.html" http://members.tripod.com/~yep_team/warmup.html) Distribute scripts to students. Break them up into small groups so that the number of students matches the number of parts in the Reader抯 Theatre script. Introduce the elements of the play: title, author, setting, and characters. Provide students with background information so they can use this information to develop their characters. Display script on the overhead or elmo. Read through it together, discussing any unfamiliar words. Define vocabulary as needed. Have students relate this play to any prior experiences. For example, if the play is about the Mayflower Journey, students may have read about this topic during Social Studies time. Read through the entire play using a strategy such as echo reading or choral reading so student become familiar with the text. Discuss the expectations for rehearsal and presentation. Together, brainstorm a rubric by which the students will be assessed with regard to their group performance. Start with the top grade (it can be a 4-3-2-1 scale). Have student list what they would expect to see the group do from beginning (rehearsal) to end (performance). List these criteria on the board. Assign parts, model expectations for group work and remind students to work on staging for the final performance. Provide time for rehearsal within the group. Guided Practice: Students will work in their groups and read through the play together. Students will assist other students with unfamiliar words. Students will rehearse the play several times together. They will focus on reading fluently and with appropriate expression. They will design appropriate staging movements together as a group. Teacher circulates to give feedback to the character, not the student ( Parent helpers are advised to work with individual groups. Conclusion: . 1. Students will perform for the class. Students will 揼rade� their peers based on the rubric they designed. Students will practice giving positive feedback. Extension Activities: Challenge groups can write, rehearse, and present their own 揜eader抯 Theatre� plays. They can use the Reader抯 Theatre Web Quest: http://www.swsd.k12.pa.us/~barb_schumacher/Webquests/ReadersTheaterWebQuest.htm Students can reflect in a writing journal to write about their experiences as an actor and/or director. Students can write a new ending for the play. Students can perform for larger audiences: parents, administration or the community. Assessment: Informal teacher assessment done during rehearsals Rubric assessment by teacher and/or peer Journal reflection as assessment Research Reference: SOURCE: http://www.forpd.ucf.edu/strategies/stratReadersTheater.html 揙ral reading fluency is one of the five major components of a research-based reading program (National Reading Panel, 2000). Reading fluently refers to the ability to read text with automaticity, accurately, and with good prosody. 燱hen students read fluently they are able to spend less energy on decoding and pronunciation strategies and focus more on the overall goal of reading: constructing meaning from text. It has often been found that students, who struggle with comprehension, also struggle with fluency (Rasinski, 2003). Rasinski offers four ways to build reading fluency including modeling good oral reading, providing oral support for readers such as with choral reading or paired reading, offering plenty of practice opportunities as with repeated readings, and encouraging fluency through phrasing (Rasinski, 2003). Use of these instructional suggestions, along with discussion on the importance of fluency, can help students who believe that a 揼ood reader� never makes mistakes understand that accuracy without expression or comprehension is not true reading. When considering fluency instruction there are many strategies and techniques to consider to best support your learners. Reader's Theater, a "highly successful classroom instructional model for fluency based on sound theory and research" (Scraper, 2006, p. 2), provides students with modeling, practice, support, and a focus on expression and phrasing. Reader's Theater is an oral and sometimes, visual activity in which students read scripts or stories, each taking the part of one of the characters or narrator, to bring the text to life (Martinez, Roser & Strecker, 1999; Prescott-Griffin & Witherell, 2004). There is no need for an actual production of a play or theatrical event although props may be used. The goal of this strategy is to help students with their fluency and comprehension by allowing them rehearsal time to practice reading with expression and prosody, the opportunity to read and reread for meaning, and the ability to focus on word meanings. 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